1、 Is it better to store calligraphy and painting with or without mounting?

关于书画装裱还是不装裱更便于收藏这一问题，具体情况应作具体分析。收藏书画的目的之一是欣赏，而只有装裱好的书画才能更好地欣赏。但是如果收藏者所存书画的量较大，一一进行装裱，存放便有困难。这种情况，可选一部分供欣赏的进行装裱，其余的作为纯藏品，还是不装裱更便于存放。然而不装裱便于存放只是相对而言，在几十年内，未装裱的书囤如果保管得当，应比经过装裱的书画保存效果更好一些。但是从长期传世这一目的出发，还是书画裱件比书画心更耐损、耐久。所以存放书画心，即使方法得当，也不宜超过50年。

Regarding the issue of whether mounting calligraphy and painting is more convenient for collection or not, a specific analysis should be made. One of the purposes of collecting calligraphy and painting is to appreciate them, and only well mounted calligraphy and painting can be better appreciated. However, if the collector has a large amount of calligraphy and paintings, it will be difficult to store them by mounting them one by one. In this case, some can be mounted for appreciation, while the rest can be kept as pure collectibles or not mounted for easier storage. However, the ease of storage without framing is relatively speaking. Within decades, if properly stored, the storage effect of unmounted books and paintings should be better than that of mounted ones. However, for the purpose of long-term transmission, it is still better for calligraphy and painting frames to be more durable and durable than calligraphy and painting frames. So storing calligraphy and painting hearts, even if done properly, should not exceed 50 years.

二、哪些书画心需要及时付诸装裱？

2、 Which calligraphy and painting hearts need to be mounted in a timely manner?

有些书画心质地属于拉力脆弱的竹料纸，或极薄的棉连纸，或胶矾过大的熟纸、熟绢及其他笺纸类，这些书画心极易残破或折裂，故不可久存，应及早付诸装裱是为上策。

Some calligraphy and painting hearts have a texture that belongs to bamboo paper with weak tensile strength, or extremely thin cotton paper, or cooked paper, silk, and other paper types with excessive glue and alum. These calligraphy and painting hearts are easily broken or cracked, so they cannot be stored for a long time. It is best to put them into mounting as soon as possible.

三、未装裱的书画心应如何存放？

3、 How should unmounted calligraphy and painting hearts be stored?

未经装裱的书画心，合理的存放形式有二，一为“卷存”，方法是：先把书画心按20幅一份分开（每份的幅面大致相同），并在每幅书画心的下面各衬垫一层幅面比书画稍大的宣纸，以报纸卷为轴，将每份书画心卷成卷，要注意卷得熨帖，防止书画心出褶皱、打叠或边际不齐。再以报纸包裹，置于画盒内。二为“展存”，方法是：先将每幅书画心下面各衬垫一层宣纸，一一相摞平铺于案板上，大幅面者在下，小幅面者在上，再在陕西名人字画鉴定上面覆盖几层报纸，并加盖塑料膜，不宜压以重物。此法对书画.为有益，但占地方较大，而且不适应大幅或巨幅书画心的存放。书画心、切忌折叠存放，因折叠存放，不数年便在折处出现断裂或留下黑色折痕。

Unmounted calligraphy and painting hearts can be stored in two reasonable forms: one is "roll storage". The method is to first separate the calligraphy and painting hearts into 20 pieces (each with roughly the same format), and place a layer of rice paper slightly larger than the calligraphy and painting under each piece of calligraphy and painting heart. Using a newspaper roll as the axis, roll each calligraphy and painting heart into a roll, making sure to roll it tightly to prevent wrinkles, overlapping, or uneven edges of the calligraphy and painting heart. Wrap it in newspaper and place it in a picture box. The second method is "exhibition and preservation". The method is to first pad a layer of rice paper under the heart of each painting and calligraphy, and lay it on a cutting board one by one, with the large format on the bottom and the small format on the top. Then, cover several layers of newspapers on the Shaanxi celebrity calligraphy and painting appraisal, and cover them with plastic film. It is not advisable to press heavy objects. This method is beneficial for calligraphy and painting, but it occupies a large space and is not suitable for storing large or large calligraphy and painting hearts. Calligraphy and painting should not be folded for storage, as folding can cause fractures or black creases at the fold within a few years.

四、书画裱件应如何存放？

4、 How should calligraphy and painting frames be stored?

存放书画裱件，必须进行包装。可根据条件和书画的珍贵程度，配以木盒、锦盒纸盒盛放。如无盒式包装，也可配以布袋或塑料袋（装袋后要封住袋口）。.简易的包装形式也要以报纸进行包裹。凡采用软包装的书画裱件，应存放于多格书画橱或书画架内。存放时，宜平摆，不宜竖置，更不可“捆放”或“堆放”。如因条件所限而迫不得已“捆放”时，每轴也要再裹两张报纸方可。书画裱件无论如何存放，都应注意防潮、防热、防风、防污、防压力、防虫蛀、防鼠害。存放书画匕亦然。

The storage of calligraphy and painting frames must be packaged. Depending on the conditions and the preciousness of the calligraphy and painting, they can be placed in wooden boxes or brocade paper boxes. If there is no box packaging, it can also be paired with a cloth bag or plastic bag (the bag mouth should be sealed after packaging) Simple packaging should also be wrapped in newspapers. All calligraphy and painting frames that use soft packaging should be stored in a multi grid calligraphy and painting cabinet or bookshelf. When storing, it is advisable to place it horizontally, not vertically, and not to "bundle" or "stack" it. If it is necessary to "bundle" due to limited conditions, each axle must also be wrapped with two more newspapers. Regardless of storage, calligraphy and painting frames should be protected from moisture, heat, wind, dirt, pressure, insects, and rodents. The same goes for storing calligraphy and painting daggers.

五、书画裱件长期悬挂或长期存放有什么不利？

5、 What are the disadvantages of long-term hanging or storage of calligraphy and painting frames?

书画裱件不宜长年悬挂，应挂一个时期，卷起存放？D个时期。尤其古旧书画或当今名迹更是如此。雨季湿气太大；冬季室内生有取暖炉或装有暖气设备，在这种条件下悬挂书画都易使书画质地加快老化，影响其寿命。反之，书画裱件也不可长期存放，宋代大书画家米芾有言：“书画以时卷时舒，近人手频，自不坏。岁久不陕西名人字画收购开者，随轴干断裂脆，粘补不成也。”有经验的收藏家将所藏书画轮番进行悬挂，即是这个道理。

Calligraphy and painting frames should not be hung for a long time, but should be hung for a period of time and rolled up for storage? D periods. This is especially true of ancient calligraphy and painting or today's famous sites. Excessive humidity during the rainy season; In winter, indoor heating stoves or heating equipment are installed, and hanging calligraphy and painting under these conditions can accelerate the aging of the texture of the calligraphy and painting, affecting its lifespan. On the contrary, calligraphy and painting frames cannot be stored for a long time. Mi Fu, a great calligrapher of the Song Dynasty, said, "Calligraphy and painting can be rolled up and relaxed at the right time, close to people's hands, and not damaged. If Shaanxi famous calligraphy and painting are not purchased and opened for a long time, they will break and brittle along with the shaft, and cannot be repaired." Experienced collectors will hang their collected books and paintings in turns, which is the same principle.

六、书画裱件应如何存放？

6、 How should calligraphy and painting frames be stored?

存放书画裱件，必须进行包装。可根据条件和书画的珍贵程度，配以木盒、锦盒纸盒盛放。如无盒式包装，也可配以布袋或塑料袋（装袋后要封住袋口）。.简易的包装形式也要以报纸进行包裹。凡采用软包装的书画裱件，应存放于多格书画橱或书画架内。存放时，宜平摆，不宜竖置，更不可“捆放”或“堆放”。如因条件所限而迫不得已“捆放”时，每轴也要再裹两张报纸方可。书画裱件无论如何存放，都应注意防潮、防热、防风、防污、防压力、防虫蛀、防鼠害。存放书画匕亦然。

The storage of calligraphy and painting frames must be packaged. Depending on the conditions and the preciousness of the calligraphy and painting, they can be placed in wooden boxes or brocade paper boxes. If there is no box packaging, it can also be paired with a cloth bag or plastic bag (the bag mouth should be sealed after packaging) Simple packaging should also be wrapped in newspapers. All calligraphy and painting frames that use soft packaging should be stored in a multi grid calligraphy and painting cabinet or bookshelf. When storing, it is advisable to place it horizontally, not vertically, and not to "bundle" or "stack" it. If it is necessary to "bundle" due to limited conditions, each axle must also be wrapped with two more newspapers. Regardless of storage, calligraphy and painting frames should be protected from moisture, heat, wind, dirt, pressure, insects, and rodents. The same goes for storing calligraphy and painting daggers.