The cultural ecological form of calligraphy art consists of the following levels: (1) the semantic level of characters; (2) Brush and ink appearance layer (stippling appearance, structural style); (3) Ink image layer (flesh and blood, spirit and temperament); (4) Historical and cultural level (temperament, morality and ethics).

文字语义层：严格说来这一层次是非书法的，支持它的是文字的“原始语言功能”——传达思想，表达意志。但在书法文人化过程中，文字的内容，已成为代表书法艺术主体的“文人书法”的不可分割的一部分；从创作角度说，书家“露顶据胡床”(李颀赠张旭诗)、“须臾扫尽数千张”（李白赠怀素诗)，是因为有感而发；从欣赏者角度说，拥有“阅读快乐”的书法欣赏与没有阅读快乐的书法欣赏(如张怀瓘所说“惟观神采”)，其审美冲击强度与感受深度是有差异的。按照传统文化给书法艺术确定的整体定位——抒情、达性、修身、教化，语义层应该是书法艺术有机构成的一部分；缺少了它，书法艺术的完整性将受到伤害。因此，我们把“语义层”作为书法艺术生态形式的基础层。

Semantic level of characters: strictly speaking, this level is non-calligraphic. What supports it is the "primitive language function" of characters - conveying ideas and expressing will. However, in the process of literati calligraphy, the content of characters has become an integral part of "literati calligraphy", which represents the main body of calligraphy art; From the point of view of creation, the calligraphers "exposed the top according to the Hu bed" (Li Qi gave Zhang Xu poems) and "swept thousands of pieces in a second" (Li Bai gave Huai Su poems) because of their feelings; From the perspective of the admirer, there is a difference between the appreciation of calligraphy with "happy reading" and the appreciation of calligraphy without reading pleasure (such as Zhang Huaiguan's "only looking at the beauty"), the intensity of aesthetic impact and the depth of feeling are different. According to the overall positioning of Chinese traditional culture for the art of calligraphy - lyricism, expressiveness, self-cultivation and enlightenment, the semantic level should be an organic part of the art of calligraphy; Without it, the integrity of calligraphy will be damaged. Therefore, we take the "semantic level" as the basic level of the ecological form of calligraphy art.

“笔墨外形层”是“物质”书法的开始。任何书法的形象都需以点画线条来构筑。不同的点画形态，具有不同的形状(外轮廓线)、质地(笔意墨韵)，而且每一个点画都有其固定形式；汉字自身所具有的整体感和视觉心理反应中的“完形意识”以及字义层的“辨读吸引”，都赋予书法汉字以完整统一的“形体感”。这是一个装载力量、性情、自然、伦理的黑色“书法外壳”。书法的“体”——字体、书体，就在这一层面划开畛域。

The "shape layer of brush and ink" is the beginning of "material" calligraphy. The image of any calligraphy needs to be constructed by stippling lines. Different forms of stippling have different shapes (contour lines) and textures (strokes and ink rhymes), and each stippling has its own fixed form; The overall sense of the Chinese character itself, the "gestalt consciousness" in the visual psychological reaction and the "discrimination and attraction" in the meaning layer all endow the calligraphic Chinese character with a complete and unified "form sense". This is a black "calligraphy shell" with strength, temperament, nature and ethics. The "style" of calligraphy - font and calligraphic style - is demarcated at this level.

“墨象层”是书法由“物质”向“文化”、由“技”向“道”、由无我的“纯客观”之境向“物我交融”的有我之境转化的过渡带；它是笔墨外形层在欣赏者心灵中形成的一种综合影象。“象”为“形”之现，它是观察主体对客观对象的一种远距离、大空间、模糊化、整个精神综合把握。在这一层次，笔形墨质因为欣赏主体的主观因素的介入，每一个“小细胞”在思维世界里都获得了“活形式”的意义。书法的笔画、线条，获得了力量感——遒劲、凝重、秀美、古拙，等等；书法的造型，或端庄，或典雅，或奇逸，或奔放，也获得了某种虚幻的“生命”。书法的、汉字，在这个世界里，好像每一个都有独立完整的生命，点画波撇，宛若人的手足，一举手一投足，顾盼有情。这是一个有待欣赏主体实施“再创造”的物质构架，用西方现代美学“接受美学”学派的术语来说，它是一个有待读者把自己投进去的“召唤结构"。

The "ink image layer" is the transition zone of calligraphy from "material" to "culture", from "technology" to "Tao", and from the "pure objective" realm without self to the "blend of things and me"; It is a comprehensive image formed by the shape of the brush and ink in the viewer's mind. "Image" is the appearance of "form", which is the observation subject's comprehensive grasp of the objective object in a long distance, large space, fuzziness and the whole spirit. At this level, due to the subjective factors of the appreciation subject, each "small cell" has acquired the meaning of "living form" in the thinking world. The strokes and lines of calligraphy have gained a sense of strength - strong, dignified, beautiful, ancient, and so on; The shape of calligraphy, either dignified, or elegant, or exotic, or unrestrained, has also obtained some kind of illusory "life". Calligraphy, Chinese characters, in this world, it seems that each has an independent and complete life. The stippling wave is like a person's hands, hands and feet, looking forward to love. This is a material structure that needs to be "recreated" by the subject of appreciation. In the terms of the "reception aesthetics" school of western modern aesthetics, it is a "calling structure" that needs to be put into by readers.

“历史文化层”是书法艺术生态形式的层，它突破了书法笔墨形式的桎梏，以书法形式与大干世界运动形式的“形式同构”为突破管道，通过书法特殊创作、鉴赏支化心理认知模式的培养，把大量的非书法内容灌注在书法笔画线条的黑色“隧道”中。

The "historical and cultural level" is the highest level of the ecological form of calligraphy art. It breaks through the shackles of the form of calligraphy and ink, and uses the "form isomorphism" of calligraphy form and the form of the Great Stem World Movement as the breakthrough channel. Through the cultivation of the special creation of calligraphy and the appreciation and support of psychological cognitive mode, a large number of non-calligraphy content is poured into the black "tunnel" of calligraphy and brush lines.

本文由收购名人字画友情奉献.更多有关的知识请点https://www.jndyt888.com真诚的态度.为您提供为的服务.更多有关的知识我们将会陆续向大家奉献.敬请期待

This article is dedicated by the acquisition of celebrity calligraphy and painting. For more information, please click https://www.jndyt888.com Sincere attitude. We will provide you with comprehensive services. We will continue to offer you more relevant knowledge. Please look forward to it