名人字画回收艺术性为先，年代第二

Celebrity calligraphy and painting recycling prioritizes artistry, second in age

收藏古玩的朋友往往看重 “年份”，而忽视藏品本身的艺术性。须知，你收藏的是古代艺术品，不是所有的古物。有的古物“年份”很足，却不具艺术性或艺术性甚低，则不宜纳入“艺术收藏”范围。如宋元时期的青白瓷圹碗，出土量非常巨大，真正具备艺术收藏价值的并不多，还不如年份短得多的清代艺术瓷。

Friends who collect antiques often value the year and overlook the artistic value of the collection itself. Note that you are collecting ancient artworks, not all antiques. Some ancient artifacts have a sufficient age but lack artistic value or low artistic value, so they should not be included in the scope of "art collection". The blue and white porcelain bowl from the Song and Yuan dynasties has a huge amount of excavation, and there are not many that truly have artistic collection value, even less so than the much younger Qing dynasty artistic porcelain.

名人字画回收宁收碎玉，不藏全瓦

Celebrity calligraphy and painting recycling. It's better to collect broken jade than to store whole tiles

艺术品有时因各种原因难保“十品”，尤其是古玩，经历岁月沧桑，常难达十分之完整度。当一件精彩但有残损的作品和一件品相完善却平庸的作品在你面前，您如何选择?收藏的原则是 “宁为玉碎不为瓦全”。本来古玩收藏就是“抱残守缺”，不宜有过分的求全心理。另外，核心部分和关键部分如果缺损也必须放弃。比如明代德化窑观音像，如果缺一手，可藏;如果缺在头脸部，则不可藏。

Artworks can sometimes be difficult to maintain their top ten quality due to various reasons, especially antiques, which have gone through the vicissitudes of time and often struggle to achieve a perfect level of completeness. How do you choose between a brilliant but damaged work and a well crafted but mediocre work in front of you? The principle of collection is "it's better to have a broken jade than a broken one". Originally, collecting antiques was meant to be conservative and not overly perfectionist. In addition, if the core and critical parts are missing, they must also be abandoned. For example, the Guanyin statue of Dehua kiln in the Ming Dynasty can be hidden if one hand is missing; If it is missing on the head and face, it cannot be hidden.

政界名人学界名人名作家大科学家影视明星体坛明星名僧名道等名人作品，除非其本人同时又是造诣不低的书画家，否则其作品皆不宜收藏。他们的涂鸦之作可以当做“名人墨迹”收藏，但绝不可以当做艺术品收藏投资。而像饶宗颐这样的文化大师，在书画方面也是嘎嘎独造，其本身就是书画大家，则可纳入艺术收藏之列。

Political figures, academic figures, famous writers, great scientists, film and television stars, sports stars, famous monks, famous Taoist priests, and other famous works should not be collected unless they are also highly skilled calligraphers and painters. Their graffiti works can be collected as "celebrity ink marks", but they cannot be invested in as art collections. Cultural masters like Rao Zongyi are also unique in the field of calligraphy and painting, and they themselves are masters of calligraphy and painting, which can be included in art collections.

名人字画回收不收跟风作品

Celebrity calligraphy and painting recycling does not accept trendy works

不可否认，一切艺术家的作品都或多或少地融入了自己的个性成分，即使临摹品也有临摹者个性的投射。但是此作品往往个性不突出，所以必须在“个性”前加“鲜明”二字作为强调。成功艺术家的作品必须具备鲜明的辨识性，具有强烈的原创精神和创新意识，即使不看落款，也能看出是某家的作品。

It is undeniable that all artists incorporate their own personality elements into their works to a greater or lesser extent, and even imitations have a projection of the imitator's personality. However, this work often lacks individuality, so the word "distinct" must be added before "individuality" to emphasize it. A successful artist's work must have distinct distinctiveness, a strong spirit of originality and innovation, and even without looking at the signature, it can be seen that it is the work of a certain company.

名人字画回收宁收小名头精品，不收大名头烂品

Celebrity Calligraphy and Painting Recycling: We prefer to collect high-quality works from small celebrities, not inferior works from big celebrities

作者知名度是艺术收藏投资必须考虑的一项，但是并不等于说“知名度越高越有收藏投资价值”。值得注意的是收藏原则仍然是艺术性，知名度第二。

The author's popularity is a necessary consideration for art collection investment, but it does not mean that "the higher the popularity, the more valuable the collection investment value". It is worth noting that the collection principle still prioritizes artistry and popularity.

名人字画回收只收好的，不收贵的

Celebrity calligraphy and painting recycling only accepts good ones, not expensive ones

当代的艺术品市场仍处于混乱无序的状态中，过度炒作和虚假成交已经是司空见惯之事。许多艺术品的市场表现与其实际的艺术价值往往不同步，甚与其艺术价值背道而驰。那种认为拍出高价的就是好作品的观点和以“市场风向标”为“入仓”依据的做法还值得商榷。

The contemporary art market is still in a chaotic and disorderly state, and excessive hype and false transactions have become commonplace. The market performance of many artworks often does not synchronize with their actual artistic value, and even goes against their artistic value. The viewpoint that high prices are considered good works and the approach of using "market indicators" as the basis for "buying" are still debatable.

好作品，这关乎艺术收藏投资者的艺术鉴赏水平或其艺术收藏投资顾问的鉴赏水平。作品的贵贱，必须与艺术品的质量联系起来考量，而不是仅仅看其一平尺多少。“艺术无价”不等于“艺术品无价”，艺术品一旦进入艺术市场，那么它无论多么“伟大”都是有价的。另外贵与不贵需联系作品的艺术水准及其艺术家的发展前景来辩证判断。

Good works are related to the art appreciation level of art collection investors or their art collection investment advisors. The value of a work must be considered in relation to the quality of the artwork, rather than just looking at its size. "Art is priceless" does not mean "art is priceless". Once art enters the art market, no matter how "great" it is, it is valuable. Furthermore, whether it is expensive or not requires a dialectical judgment based on the artistic level of the work and the artist's development prospects.

名人字画回收并非所有名家作品都有价值

Not all works of famous artists have value in the recycling of celebrity calligraphy and paintings

这条有两层意思：其一，有的大名家名实难副。在内地这种逆淘汰的体制下，平庸者往往居上位，杰出者却居于野，直到身后才大放异彩;其二，即使是名副其实的名家，其作品也不是每件皆。有时因为应酬身体健康情绪低落等原因会创作出低劣平庸或不尽人意的书法作品或国画。另外，在艺术家一生的艺术生涯中，其早中晚期的作品水平悬殊往往是非常大的。

This article has two meanings: firstly, some famous figures may not live up to their name. In the system of reverse elimination in mainland China, the mediocre often occupy the upper echelons, while the outstanding remain in the wilderness, only to shine brightly behind them; Secondly, even true masters may not always have excellent works. Sometimes, due to social reasons such as good health and low mood, one may create inferior, mediocre or unsatisfactory calligraphy works or traditional Chinese paintings. In addition, there is often a significant disparity in the level of work produced by artists in their early, middle, and late stages of their artistic careers.

名人字画回收切忌遍地开花

Celebrity calligraphy and painting recycling should avoid blooming everywhere

当代艺术家多如牛毛，群星璀璨。艺术收藏投资爱好者没必要“见好必收”“遍地开花”。除非你资金特别，精力特别旺盛。否则选取一两家或两三家。总之在选择艺术家上要重质量，而不是重数量。

There are countless contemporary artists, shining with stars. Art collection and investment enthusiasts do not need to "reap what they see" or "bloom everywhere". Unless you have particularly strong funds and energy. Otherwise, it is best to choose one or two or three. In short, when choosing an artist, it is important to prioritize quality rather than quantity.

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